6 concert found.
-
-
CAvi-music: Bruchsal
Bruchsal Palace - Kammermusik Saal
Schlossraum 4, Bruchsal, Baden-Württemberg, Germany
Linos Piano Trio
-
Schloss Bruchsal: Bruchsal
Bruchsal Palace - Kammermusik Saal
Schlossraum 4, Bruchsal, Baden-Württemberg, Germany
Linos Piano Trio
Prinz Louis Ferdinand: Piano Trio in E flat major, op. 3, Allegro espressivo
Ludwig van Beethoven: Piano Trio in E flat major, op. 70, no. 2
Interval
Ludwig van Beethoven: Piano Trio in B flat major, op. 97, Archduke
-
-
Trinity Laban Conservatoire of Music and Dance: London
Old Royal Naval Chapel
King William Walk, Greenwich, London, London, England
Linos Piano Trio
-
Leidse Schouwburg – Stadsgehoorzaal: Leiden
Stadsgehoorzaal Leiden
Breestraat 60, Leiden, Zuid-Holland, Netherlands
Linos Piano Trio
Eroica (or Heroic)
The "heroic" topic was prevalent around 1800 as Europe was entangled in the Napoleonic wars.
Beethoven's 3rd Symphony has come to be a flag bearer of this movement in music. In the same key of E-flat, we hear echoes of the revolutionary sentiments in both Op. 1/1 and Op. 70/2.
Ludwig van Beethoven: Piano Trio in E flat major, op. 1, no. 1
Ludwig van Beethoven, arr. Linos Piano Trio: Finale from Symphony no. 3 in E flat major, op. 55, Eroica
Interval
Ludwig van Beethoven: Piano Trio in E flat major, op. 70, no. 2
-
Leidse Schouwburg – Stadsgehoorzaal: Leiden
Stadsgehoorzaal Leiden
Breestraat 60, Leiden, Zuid-Holland, Netherlands
Linos Piano Trio
Sturm und Drang
Haydn famously didn't like Beethoven's extreme dramatic style in Op. 1/3, but we trace the opening theme back to Haydn's own String Quartet. The "storm" topic continues to inspire Beethoven to experiment with cloudy sounds in the Ghost trio.
BoldComposer
Franz Joseph Haydn, arr. Linos Piano Trio: Quartet no. 25 in C major, op. 20, no. 2, Hob.III:32, Capriccio: Adagio
Ludwig van Beethoven: Piano Trio in C minor, op. 1, no. 3
Interval
Ludwig van Beethoven: Piano Trio in D Major, op. 70, no. 1, Ghost
-
Leidse Schouwburg – Stadsgehoorzaal: Leiden
Stadsgehoorzaal Leiden
Breestraat 60, Leiden, Zuid-Holland, Netherlands
Linos Piano Trio
Sacred and Profane
Not an immediate image of Beethoven in the popular imagination, but he was a master of juxtaposing the sacred and the profane. Often letting the profane and humour have the last words, as is the case in his culminating final piano trio Op. 97 that was the last piece he performed in public.
Ludwig van Beethoven: Piano Trio in G major, op. 1, no. 2
Ludwig van Beethoven, arr. Beethoven: Scherzo and Finale, from Symphony no. 2 in D major, op. 36
Interval
Ludwig van Beethoven: Piano Trio in B flat major, op. 97, Archduke
-
CAvi-music: Bruchsal
Bruchsal Palace - Kammermusik Saal Schlossraum 4, Bruchsal, Baden-Württemberg, GermanyLinos Piano Trio -
Schloss Bruchsal: Bruchsal
Bruchsal Palace - Kammermusik Saal Schlossraum 4, Bruchsal, Baden-Württemberg, GermanyLinos Piano TrioPrinz Louis Ferdinand: Piano Trio in E flat major, op. 3, Allegro espressivo
Ludwig van Beethoven: Piano Trio in E flat major, op. 70, no. 2
Interval
Ludwig van Beethoven: Piano Trio in B flat major, op. 97, Archduke -
Trinity Laban Conservatoire of Music and Dance: London
Old Royal Naval Chapel King William Walk, Greenwich, London, London, EnglandLinos Piano Trio -
Leidse Schouwburg – Stadsgehoorzaal: Leiden
Stadsgehoorzaal Leiden Breestraat 60, Leiden, Zuid-Holland, NetherlandsLinos Piano TrioEroica (or Heroic)
The "heroic" topic was prevalent around 1800 as Europe was entangled in the Napoleonic wars.
Beethoven's 3rd Symphony has come to be a flag bearer of this movement in music. In the same key of E-flat, we hear echoes of the revolutionary sentiments in both Op. 1/1 and Op. 70/2.Ludwig van Beethoven: Piano Trio in E flat major, op. 1, no. 1
Ludwig van Beethoven, arr. Linos Piano Trio: Finale from Symphony no. 3 in E flat major, op. 55, Eroica
Interval
Ludwig van Beethoven: Piano Trio in E flat major, op. 70, no. 2 -
Leidse Schouwburg – Stadsgehoorzaal: Leiden
Stadsgehoorzaal Leiden Breestraat 60, Leiden, Zuid-Holland, NetherlandsLinos Piano TrioSturm und Drang
Haydn famously didn't like Beethoven's extreme dramatic style in Op. 1/3, but we trace the opening theme back to Haydn's own String Quartet. The "storm" topic continues to inspire Beethoven to experiment with cloudy sounds in the Ghost trio.
BoldComposer
Franz Joseph Haydn, arr. Linos Piano Trio: Quartet no. 25 in C major, op. 20, no. 2, Hob.III:32, Capriccio: Adagio
Ludwig van Beethoven: Piano Trio in C minor, op. 1, no. 3
Interval
Ludwig van Beethoven: Piano Trio in D Major, op. 70, no. 1, Ghost -
Leidse Schouwburg – Stadsgehoorzaal: Leiden
Stadsgehoorzaal Leiden Breestraat 60, Leiden, Zuid-Holland, NetherlandsLinos Piano TrioSacred and Profane
Not an immediate image of Beethoven in the popular imagination, but he was a master of juxtaposing the sacred and the profane. Often letting the profane and humour have the last words, as is the case in his culminating final piano trio Op. 97 that was the last piece he performed in public.
Ludwig van Beethoven: Piano Trio in G major, op. 1, no. 2
Ludwig van Beethoven, arr. Beethoven: Scherzo and Finale, from Symphony no. 2 in D major, op. 36
Interval
Ludwig van Beethoven: Piano Trio in B flat major, op. 97, Archduke