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They’re real gems

Reawakened

BBC Radio 3 Record Review, Andrew McGregor

“One of the highlights for me is the clarinet concerto by Ruth Gipps, written for her fiancé, clarinettist Robert Baker. When she wrote it in 1940 they were students at the Royal College of Music and she had just become a pupil of Ralph Vaughan Williams. The slow movement is a touching representation of her relationship with Robert. It begins with her instrument, the oboe, before it’s joined by the solo clarinet … the piece has been hibernating until it was reawakened by clarinettist Robert Plane for this recording with the BBC Scottish Symphony Orchestra conducted by Martyn Brabbins  When she wrote it in 1940, Gipps was a young woman struggling to be heard in a male commented world. Scottish composer Ian Hamilton’s Clarinet Concerto was a major work from 1950, and in his case, the orchestral parts were mislaid after just a handful of performances. Vaughan William’s contemporary Richard Walthew’s 1902 concerto was unorchestrated when he died … they’re all played with a sense of conviction that they’re real gems.”

 

The recording:
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This performance was thrilling

Bachtrack, Phil Parker
Four Stars

The players were especially alert to dynamic shading

Musical Opinion, Paul Conway

Reawakened
Plane has magisterial control of his instrument

British Music Society, Geoffrey Atkinson

Best Re-Issue

Classic FM, David Mellor

Utterly beguiling

The Westmorland Gazette, Ian Jones

Wistful beauty

The Times, Anna Picard

Afternoon Concert
Very smooth and subtle and deeply musical

BBC Radio 3, Kate Molleson

Unleashed with a controlled power by these fine musicians

The Scotsman, Susan Nickalls

Robert Plane
Threw himself into his athletic lines with glee and abandon
Plane’s tireless virtuosity

The Guardian, Rian Evans

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It's a little gem

The Guardian, Erica Jeal 

Robert Plane
A Perfect Partnership at the Ilkley Concert Club

Sacconi Quartet and Robert Plane at the King’s Hall, Chris Skidmore

Robert Plane gives a very fine reading [of Finzi Clarinet Concerto] for Naxos

From “Which is the best recording of Finzi’s Clarinet Concerto?” by Patrick Rucker, 14th July 2016

Robert Plane, Philip Dukes and Huw Watkins – unerring control

The Guardian, Rian Evans

A perfect balance of structural exactitude and lyricism – Gould Trio with clarinettist Robert Plane

The Guardian, Rian Evans

Further Reviews
Immaculately performed by Robert Plane

The Guardian, Andrew Clements

Consistent musicality and enthusiasm

The Sir Arnold Bax Website, Christopher Webber and Graham Parlett

At the very top of their game

Gramophone, Andrew Achenbach

His instrumental skill is stunning

Craven Herald, Adrienne Fox

Delectable soloist

International Record Review

First-class

Fanfare

Plane’s readings are superb

Gramophone, Jeremy Dibble

Soulful clarinet-playing of Robert Plane

Gramophone, Richard Whitehouse

Music-making of the highest calibre

The Guardian, Rian Evans
Four Stars

Robert Plane an inspired soloist

Gramophone, Edward Greenfield

Characteristically intricate

The Guardian, Rian Evans
Four Stars

Brilliantly adept

The Arts Desk, Stephen Walsh

Ravishing lyricism and conviction

Gramophone, Jeremy Dibble

Nothing short of exceptional

Gramophone, Jeremy Dibble

Depth of musical character

Irish Times, Michael Dervan

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Bright, gymnastic

The Observer, Anthony Holden

Ravishing in tone

Gramophone, Andrew Achenbach

Plane’s clarinet has an eloquent and expressive voice

The Times, Rick Jones

Irreproachably alert and stylish

Gramophone, Andrew Achenbach

Entrancing poise and liquid tone

Gramophone, Andrew Achenbach

Ravishing range of tone and natural warmth

The Guardian, Edward Greenfield
Five Stars

Lyrical sweeps of phrasing in an immaculate performance

BBC, Andrew McGregor 

Effortless technical mastery

Gramophone, Andrew Achenbach

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21/04/2025