MK Flyers
Brahms Serenade No 1, Mozart Clarinet Concerto (soloist Nicholas Cox), Pärt Cantus in Memoriam Benjamin Britten
Milton Keynes City Orchestra, The Venue, Walton High
Milton Keynes City Orchestra introduced new talent to Milton Keynes on Friday night with their Bold and New performance at The Venue, Walton High […] The finale of the evening was a rarely played Brahms Serenade in six movements that held the audience on the edge of their seats […]MKCO Chairman Marian Livingstone said, “Robin took charge on Friday night and really owned the stage with the Orchestra. 
He worked effortlessly with Nicholas [Cox] who gave a world class performance and he also gave the audience tremendous value for money with his carefully crafted programme in this new auditorium.”
Held the audience on the edge of their seats
Portsmouth News, Peter Rhodes
THE Havant Chamber Orchestra were on fine form on Saturday as they treated us first to Mozart’s lively Overture, The Impresario, followed by a selection from the incidental music to A Midsummer Night’s Dream, showcasing the prodigious talents of the 16-year-old Mendelssohn. There was, in particular, much excellent wind playing on display, especially in the delightful Nocturne, and the strings came into their own in the lively Scherzo. Robin Browning is an excellent director and maintained superb ensemble throughout the evening, nowhere more so than in the increasingly elaborate developments which form the core material of the final movement of Haydn’s Symphony No 99 which ended the evening.
But it was the central work in the concert, Beethoven’s ground breaking Piano Concerto No. 4, which was undoubtedly the highlight. The Ferneham Hall has a unforgiving acoustic and the Yamaha piano has lost some of its original depth of sound, yet the orchestra played with great precision and the wonderful soloist, Cordelia Williams, managed to wring every drop of warmth out of the piano. She was, by turns, virtuosic in the outer movements, especially their cadenzas, and lyrical in the haunting slow movement. A most enjoyable evening throughout.
Mike Allen, Portsmouth News
Beethoven Egmont, Hummel Trumpet Concerto, Mendelssohn Symphony No 3 Scottish
Havant Chamber Orchestra, Ferneham Hall, Fareham, Hampshire
Dare I say it? Well, why not? The Havant Chamber Orchestra’s performance of Mendelssohn’s Scottish symphony was more heart-warming and uplifting than the London Symphony Orchestra’s at Portsmouth Guildhall in March.
Mike Allen, Portsmouth News
Beethoven Pastoral Symphony
Havant Chamber Orchestra, Ferneham Hall, Fareham, Hampshire
Beethoven’s sixth symphony, the Pastoral, was also conducted in masterly style by Robin Browning. This work can seem to go on forever, but in his hands it pulsed with life. Never seeming to rush, Browning allowed time for affectionate phrasing while keeping the music moving purposefully. His masterful conducting ensured character and clarity were maintained through precise balancing.
Petersfield Post, Ann Pinhey
Dvorak Symphonic Variations, Vaughan Williams Symphony No 5 in D
Petersfield Orchestra, Petersfield Festival Hall
Robin Browning conducted a performance of great freshness and warmth which displayed Dvorak’s mastery of the orchestra to the full. […] [He] built the great climaxes with care and purpose. Phrases and tempi were moulded affectionately, always sounding spontaneous.