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Crisp ensemble, rich textures

Classical Reviewer

… A hushed section arrives for solo violin, high in its register, answered by the rest of the quartet before the music [of Elie Wiesel (A Portrait)] continues, full of emotion, so finely brought out by the Wihan Quartet…

“…[Kol Nidrei Memorial] opens high in the strings before a sad theme arrives with the Wihan Quartet extracting some fine, terse timbres…”

This is a distinctive and finely constructed work that rises in drama and emotion with some rich, fine playing from the Quartet.

“The Wihan Quartet brings all their terrific qualities of crisp ensemble, rich textures and sensitivity to detail to these fine pieces. The recording is very fine and there are excellent booklet notes from the composer.”

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Virtuoso technical skills and exuberant yet disciplined expression

Frank Kuznik, BachTrack
Four Stars

Conjured superbly

Malcolm Hayes, BBC Music Magazine
Five Stars

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A sophisticated and subtle performance

Claire Seymour, See and Heard International

Relaxed and refined performances

Jan Smaczny, BBC Music Magazine

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Winningly beautiful

Steve Draper, BachTrack
Five Stars

Rhetorical spiritedness and clean brilliance

Seen and Heard International, Claire Seymour

The Wihan Quartet imposed a quiet control

Seen and Heard International, Claire Seymour

Superbly poised

Jan Smaczny, BBC Music Magazine
Four Stars

Persuasively lyrical

Rob Cowan, Gramophone

Perfectly blended ensemble

Seen and Heard International, Claire Seymour

Utter sincerity and conviction

Graham Rickson, The Arts Desk

Profoundly lyrical

Tim Homfray, The Strad Magazine

Tantalising expressive ambivalence

Julian Haylock, The Strad Magazine

This is the finest recorded performance I have encountered

Jan Smaczny, BBC Music Magazine
Five Stars

The Wihans play most beautifully

Rob Cowan, Gramophone

The quartet never put a foot wrong

Bachtrack

Intense and beautifully controlled

The Times, Stephen Pettitt

Tight ensemble and vigour

Colin Clarke, Music Web International

Exquisite shading

Colin Clarke, Musicweb International

Beautifully balanced

Paul Griffiths, New York Times

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06/05/2026