Skip to content

Deep sensitivity

The Guardian, Rian Evans
Four Stars

Brahms and his friendship with Clara Schumann have been the subject of much recent attention, leaving Robert Schumann sidelined, so the Gould Piano Trio’s weekend of his chamber music helped to refocus matters for Cardiff audiences.

“Such is the intimacy of this repertoire and the Goulds’ insight, that it was not a question of sitting back and going with the romantic flow, rather of being made aware of future tragedy implicit in the writing.”

In the opening Piano Trio in D minor Op 63, the immediacy of being plunged into Schumann’s complex emotional world – real and imagined – was almost shocking. With hints of Mozart’s piano concerto and of Mendelssohn’s Trio in the same troubled key, the listener was drawn into a maelstrom: to suggest that it was deeply unsettling is a compliment to the players. Towards the end of the anguished slow movement, an apprehensive hovering seems to signal the eruption of further turmoil, but what emerges in the finale is a rush of bright, determined optimism. The suspicion that it might be only a veneer was as affecting as the anguish. After this, Mendelssohn’s Op 45 Sonata for cello and piano, played with deep sensitivity by Alice Neary and Benjamin Frith, felt like respite.

Viola player David Adams joined the trio for Schumann’s Piano Quartet in E flat major, Op 47. The series was titled Inner Voices, Outer Worlds – ensuring that the composer’s delicately and often painfully poised mental equilibrium could not be far from one’s consciousness.

“Yet the trio’s rigorous approach meant nothing was overstated or overindulged. Unsullied singing melodies could be happily seized and the cantabile Andante had an unaffected warmth, with the finale’s tense counterpoint leading to an exhilarating climax.”


The Concert:

Gould Piano Trio
David Adams, viola
‘Inner Voices, Outer Worlds’
Royal Welsh College of Music and Drama, Cardiff
October 2014

Schumann Piano Trio in D minor, op 63
Mendelssohn Sonata for cello and piano, op. 45
Schumann Piano Quartet in E flat major, op, 47

photo: classicalsource.com

You may also like to see...
Sheer delight … played with such love

Charles Hutch Press, Martin Dreyer

A premiere performance of commitment and flair

Musical Opinion, Paul Conway

A lovely late morning recital … grace and charm

BachTrack, Mark Pullinger

Commitment and excellence

Ilkey Concert Club, Chris Skidmore

Vivid dynamic contrasts … majestic … spellbinding

The Strad, Tim Homfray

Intense, nourishing playing … mysterious and tremendous … blazing conviction

The Telegraph, Ivan Hewett

Immaculate attention to detail of articulation … warm, silken sound

BBC Music Magazine, Natasha Loges

Spontaneous, unforced and imaginative

The Strad, Robin Stowell

Unanimity of approach … faultless performances

Gramophone, David Threasher

Chamber music heaven … the perfect lockdown tonic

The Times, Geoff Brown

Clarity and balance

Gramophone, Richard Whitehouse

A welcome release … the excellence of the Gould’s playing

Gramophone, Richard Whitehouse

These performances make for a very enjoyable CD

Lark Reviews, Stephen Page

Lyrical beauty, burning brio and an awesome degree of ensemble spirit

BBC Music Magazine, Geoff Brown

Brilliant throughout
Drama and refinement

Gramophone, Tim Ashley

Unshowy sparkle

Financial Times, Richard Fairman

Intensely expressive

The Strad, Andrew Farach-Colton

Fire and expressive power

The Guardian, Rian Evans

A ravishing performance by the Goulds

The Guardian, Rian Evans
Four Stars

Ebullience and verve

The Strad, Edward Bhesania

Wonderful performances

Music Web International, Stuart Sillitoe

Fine blending between all members

Bachtrack, Philip May
Four Stars

Confident, precise ensemble playing

Gramophone, Duncan Druce

Consistent musicality and enthusiasm

The Sir Arnold Bax Website, Christopher Webber and Graham Parlett

A wealth of expressive detail

The Guardian, Rian Evans

Understated virtuosity and startling clarity

Washington Post, Robert Battey

Superb performances

The Guardian, Andrew Clements

Unsurpassably played

Yorkshire Live, Val Javin

Nimble, agile and intense

The Guardian, Fiona Maddocks

Played with a delicate touch

BBC Music Magazine, Misha Donat
Four Stars

Telepathic connection

Bachtrack, Emily Owen
Four Stars

Revelatory interpretations

The Guardian, Stephen Prichard

Profoundly musical

The Guardian, Rian Evans
Five Stars

Freshness, panache, charm

BBC Music Magazine, Erik Levi
Five Stars

Excellent performances

BBC Music Magazine, Calum MacDonald
Five Stars

Astonishing accuracy

Bachtrack, Alexandra Hamilton-Ayres

Music-making of the highest calibre

The Guardian, Rian Evans
Four Stars

The performances here are very sympathetic

Classics Today, David Hurwitz

Uncommonly powerful and disturbing

The Independent, Anna Picard

Back To Top
25/01/2025