Corvus Consort (vocal ensemble) and Music on the Edge (saxophone and flute)
“Byrd Takes Flight” sees Corvus Consort join forces with instrumental duo Music on the Edge to present a groundbreaking convergence of old and new, as voices and instruments intertwine to explore soundworlds that transcend the centuries between them. Corvus Consort Susie Hodder-Williams Chris Caldwell vocal ensemble flute + alto flute soprano sax + tenor sax + bass clarinet.
Commemorating 400 years since the death of William Byrd, four new works were commissioned in 2023 to explore the enduring strength of Byrd’s influence, which stretches right through to the 21st century. Each commission responds to a particular work by Byrd, placing Byrd’s musical voice into dialogue with the voices of some of today’s most exciting young composers.
Stunning new music by young composers Shruthi Rajasekar, Derri Joseph Lewis, Harry Baker and Anna Semple sits alongside glorious vocal polyphony by William Byrd, one of Renaissance England’s greatest musical masters. Byrd’s music is also paired with works by his mentor Thomas Tallis (c.1505-1585), to reveal the ways in which Byrd’s own musical voice was shaped by his great teacher and partner.
Some of the early music in the programme is presented a cappella, and some is performed with the addition of instrumental parts, often using improvisation to cast the music into a fresh and emotionally-heightened light. The harmonic language of the Renaissance lends itself effortlessly to a treatment of improvisation and experimentation, and this has been a key strand of the combined ensemble’s collaboration since their first project together in 2020.
In Byrd Transubstantiated, Shruthi Rajasekar draws out heightened emotion and drama from Byrd’s iconic Ave verum corpus, particularly exploring the tensions around Byrd’s Catholic faith in Protestant England. Taking a more broad harmonic inspiration from Byrd, Derri Joseph Lewis focuses on the imagery of rain and new growth in Rorate caeli desuper, painting a vivid and characterful picture of water droplets throughout much of his piece. With her trademark handwritten graphic scoring techniques for Ecce respice populus tuus, Anna Semple constructs a beautiful tapestry using fragments from Byrd’s Ne irascaris Domine, in her search to bring out the anguish of the text, again exploring the tumult of Byrd’s private faith. And in Vigilate Harry Baker draws inspiration from his background in jazz, to reinterpret Byrd’s setting of the same text into a pulsating journey, full of drama, energy and rhythmic impetus.
‘Byrd Takes Flight’ features a choir of 10 voices alongside instrumental duo Music on the Edge, all under the direction of Freddie Crowley. The combined groups can also offer a pared-back unconducted version with 5 voices and two instruments.
| William Byrd, arr. Ferio: Ave Verum Corpus |
| Shruthi Rajasekar: Byrd Transubstantiated |
| Thomas Tallis: O nata lux |
| William Byrd: Christe qui lux es et dies |
| William Byrd: Rorate caeli desuper |
| Derri Joseph Lewis: Rorate cæli desuper |
| Thomas Tallis: Thou wast O God and thou wast blest |
| William Byrd: Kyrie, from Mass for Three Voices |
| William Byrd: Vigilate |
| Harry Baker: Vigilate |
| Thomas Tallis: Sancte Deus |
| William Byrd: Justorum animae |
| William Byrd: Ne irascaris, Domine |
| Anna Semple: Ecce respice populus tuus |
Shruthi Rajasekar is a multi-award-winning Indian-American composer and vocalist exploring identity, community, and joy. Shruthi creates intersectional music that draws from her unique background in the Carnatic (South Indian classical) and Western classical idioms.
Derri Joseph Lewis is a prize-winning Welsh composer and sound-artist, writing music for concerts, stage-works and installations in Europe and America. He has written vocal works for Oxford Lieder Festival, Ludlow English Song Weekend, soprano Helen Charlston and the National Youth Choirs of Great Britain.
Anna Semple is a London-based composer and performer interested in exploring embodied methods of music-making and composition using visual processes. Recent commissions include works for the Royal Opera House, The Sixteen, The Marian Consort, Waterperry Opera Festival and Corvus Consort, among many others.
Harry Baker is an award-winning British pianist and composer active at the highest levels of both jazz and classical performance. He has performed his work with artists including Sheku Kanneh-Mason, Fatma Said and Danielle de Niese at Wigmore Hall, Ronnie Scott’s, the Konzerthaus Dortmund and the Verbier Festival, Switzerland.
We are extremely grateful to the Fidelio Charitable Trust, Vaughan Williams Foundation and Hinrichsen Foundation for their support.
